The author under the
spotlight here needs no introduction. Greg Chapman has worked for years now to
shed light on the many mediums of horror, both through his own work (novellas,
illustrations, and design work), and the work of others; being a vocal
mouthpiece for the literary achievements of friends and colleagues and helping
to establish horror as a serious genre both in his native Australia and abroad.
Earlier this year, Omnium Gatherum saw fit to publish Greg’s first stab at novel length fiction. Already, Hollow House
has picked up some favorable reviews.
Without delving too deeply into plot territory (the bare bones of this can
found both in the novel’s description and the many assessments
floating around), let’s examine instead both the positives and pitfalls. In Hollow
House, the scene is set with an archetypal haunted house at the center of
the maelstrom: Kemper House on Willow Street. Surrounding the house, numerous
players (the immediate neighbors) are drawn into a spiraling web of death, possession,
and desires made manifest. In effect, Greg is taking the inhuman aspect (the
house), and using it as a springboard to see how his character's behave and
interact. If I could compare this formula to other works, we can see a similar method explored in novels such as Richard
Bachman’s The Regulators, and the
darker fantasy of both Bloch and Bradbury.
The positive aspects of this novel derive from the human element; Greg has sketched
out numerous damaged characters that are a real-life echo one would
find on any suburban street: angst ridden teenagers, a retired Army Vet, and
the conventional large family. Witnessing how they cope with a house of horrors
is an entertaining testament to Greg’s burgeoning storytelling prowess.
However, there are pitfalls, and this is often the generic make-up of certain gambits. For instance, opening up proceedings with something as arbitrary as a
dead body. In addition to this, having a reporter on the prowl to uncoil layers
of information has its DNA firmly entrenched in dozens of horror films.
Small drawbacks aside, this is a novel showcasing genuine heart with some adequate
turns of phrase. Above all, it’s a competent signpost of what to expect. With Hollow House, Greg
Chapman is merely laying down the load-bearing foundations of a universe of
horror to come.